The process of retrieving the birds is typically archeological, involving scrapping layer after layer of salt from around the presumed site of the bird, using the intensity of coloration as a guide.
It is also a highly olfactory process, but not in as negative sense as one would presume, the boxes when opened have a distinctive smell more akin to a newly cleaned hospital than a butchers ( that is presuming the process has gone to plan, in contrast failed preservation has quite a different stench!).
Again, counter to assumptions it is the salt that harbours the smell, not the carcass, as through the process of osmosis the salt has drawn out all liquids and bacteria's(?) from the birds. Salt is incredibly affective at this, and throughout the process I have to be very careful to keep hydrated and even resort to hand cream- quite counter to my usual neglect.
Once the bird is accurately sited, a slow process of excavation begins, being careful to remove
The Wigeon and the Teal (or was it a partridge?!) were particularly challenging as due to their size they shared a box. The other birds were alone lying in state, and largely centred, the main challenge being the temptation to just risk it and stick my hands down the side and lift them up. The size increments of them together seems appropriate and having checked the backs I am confident the hanging method will work, I must use a selection of nails that are fairly long though, to allow for the skin stretching around the backs buckling unevenly while drying.
Aesthetically they have maintained the poise hoped for, with the dehydration tightening the birds around the armatures so formally they almost appear elegant, I am reminded of the extreme curvature of a prize gray hounds constantly 'breathed in' stomach, the dark game meat will be starkly beautiful against the white gallery walls, with salt mediating between the two.
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